Ambarin Afsar explains how the final photograph eventually depends on important narrative devices like aesthetic framing, graceful poses and props.
What do you do when the obvious becomes boring and you want to differentiate your style? Start by breaking a few rules, Ambarin Afsar says.
In June 2011's editorial's, the Editor talks about how photographs are a means to remembering and also our most treasured memory.
Ambarin Afsar takes the Samsung MV800 out for a spin and tries to figureout whether there is more to the point-and-shoot than its flip-out LCD.
Art, reality and the Fibonacci—Ambarin Afsar explores the bounds of perceived reality, through a combination of photo frames and spirals.
Ambarin Afsar demystifies the concept of White Balance, so that you can strike a perfect combination of colour and light.
Ambarin Afsar acquaints you with India’s jungles as seen through the eyes of photographer and naturalist, Padma Shri Madhaviah Krishnan.
Hidden under a few settings is the Bulb mode of your camera, Ambarin Afsar helps you locate and understand this jewel.
When it rains, everything comes to a halt . Ambarin Afsar shares how you can shoot inanimate objects covered in rain and give them a new identity
Ambarin Afsar spends a couple of weeks with the smallest PEN on the block, the Olympus PEN E-PM1 and comes away surprised by its capabilities.
In May 2011's editorial, the Editor talks about the number of careers associated with photography and of success.
Ambarin Afsar tells you how you can capture shapes, lines and contours present in your everyday surroundings, to introduce a graphical quality in your images.
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